Tom Evers - Storied Places

Tom Evers - Storied Places

Tom Evers discovered the fun of parks, as many of us did, when he was a kid. “Growing up on a cul-de-sac” in his hometown of Mankato, Tom says, “my childhood was full of free play down at the river and in the woods.” To Tom, who is both a “big kid” at heart and a big thinker, fun is only half the power of parks; the compelling remainder lies in a park’s ability to heal a city, and the people who call it home.

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Carla Godwin - Like a Rock

Carla Godwin - Like a Rock

Carla Godwin serves bold for breakfast. As Executive Director of the Peris Foundation, Carla ushers in a modern-day Renaissance in affordable and accessible housing in Minneapolis. Peris Hill Apartments is the Peris Foundation’s inaugural project in community, and it offers refuge and promise to a particularly vulnerable and underserved population: young adults aging out of foster care

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John Schuerman - Walking at the Speed of Site

John Schuerman - Walking at the Speed of Site

In his missives to Minneapolis, John Schuerman indicates an unwillingness to take things sitting down.

He is a man of action, primarily a man of movement, walking actually. A long-time visual artist, John decided 5 or 6 years ago to give himself over entirely to drawing. As soon as he did, he says he had a “visceral response.” “Oh man,” he thought, “I do not want to be confined to making marks on paper.”

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Mr. Marvin Roger Anderson - Reconnecting Rondo

Mr. Marvin Roger Anderson - Reconnecting Rondo

Mr. Marvin Roger Anderson embodies the honorific “Mister.”

As a prominent elder in St Paul (Morehouse College graduate; attorney; MN State Law Librarian; alumnus of the Improved Benevolent Protective Order of the Elks of the World; community organizer, historian, and cultural curator), Mr. Anderson has earned the title of respect. More importantly, he is a Son of Rondo.

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Scott Streble - Welcome Home

Scott Streble - Welcome Home

Scott Streble likes to be where the action is. As a yearbook photographer in high school, he relished the “front row seat” and the “backstage pass” his camera afforded him.

Like the Latin word “apertura,” from which the word aperture derives, Scott’s camera and resulting photographs are an opening through which to observe the fantastic, the earth shattering, and the mundane.

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